Run That by Me Again

Share Post:

[vc_row][vc_column][vc_column_text]

A projection piece from “Softer: Jenny Holzer at Blenheim Palace” which ran from September 2017 to December 2018 Blenheim Palace, Oxfordshire, England

 

Lyrical. Sarcastic. Poetic. Instructional. Even laughable. Artists hold nothing back in the communications department. Call it “signage”, “captions”, “aphorisms”, “slogans” or “poetry”, artists simply cut to the chase. No extrapolations are needed nor the reading of tea leaves. Since the iconic cartoon strips of Pop artist Roy Lichtenstein in the 60’s to the provocative poster campaign of the Guerrilla Girls circa 1989, we see the continuing influence of graffiti and advertising on art and fashion. Todays’ artists, however, take the love of language and aesthetics to levels unparalleled. Via paint, print, Siri, LED light installation, billboard, and fire – yes, fire! – artists highjack the very means of advertising to craft messages. Some displays aren’t tethered to museum walls but are site-specific and appear where the lay person resides: on buildings, at bus stops, on T-shirts, on iPhones and even on condom packaging. Installation artist Robert Montgomery expounds: “Touching real people in that it works there out in the world…matters to me”. (“Urban Poet Robert Montgomery” Crane TV 2012). Indeed, it does, and these works reveal individuals ruminating on culture, selfhood, marginalization, war, gun control, sex and of course, the occasional deadpan humor. Interested? Read on!

One thing is certain and that is this – These artists are so hot, hot enough to melt the paint off the walls!

The Lovelorn:

Installation artist Barbara Kruger makes a tender appeal:

Barbara Kruger “The Globe Shrinks” Installation View 2010 at Sprüth Magers in London. Acquired by the Hammer Museum, Los Angeles

 

Baron Von Fancy prefers the immediacy of aphorisms:

Baron Von Fancy “Give me Head ‘Till I’m Dead”, 6 1/4 × 6 1/4 in. Acrylic on Canvas

 

 

Artist Esmeralda Kosmatopoulos finds companionship in Siri:

Esmeralda Kostmapoulos “SIRI&me – “S02E01 – Siri, I feel lonely” 2013 C-Print on Acrylic 20.00 x 30.00 x 1.00 in.

 

Artist Esmeralda Kosmatopoulos seeks conjugal bliss:

Esmeralda Kostmapoulos “SIRI&me – S01E03 – do you want to get married?” 2013 C-Print on Acrylic 20.00 x 30.00 x 1.00 in

 

The artist as existentialist:

Illustrator Julie Houts examines the unexamined:

Julie Houts Print

 

Slogans on accessories for everyday:

 

Just in time for summer, Ms. Kruger uses the medium of eyewear.

Sunglasses designed by Barbara Kruger. Image courtesy ForYourArt, Barbara Kruger, and Freeway Eyewear. Taken from “Untitled (Your gaze hits the side of my face)” 1981, Photograph and type on paperboard. “Presented on sunglasses, the wearer transforms into both a voyeur and an object; a play on themes of looking, power, and the gaze,” states Give Good Art about the excerpt of Kruger’s art on the sunglasses.

 

All political leanings aside, artist Juergen Teller hungers for a different ideology:

 

Juergen Teller “Untitled, Chicago” T-Shirt 2016

[/vc_column_text][/vc_column][/vc_row][vc_row bg_type=”bg_color” ult_hide_row=”ult_hide_row_value” ult_hide_row_tablet_small=”xs_tablet” ult_hide_row_mobile=”mobile” ult_hide_row_mobile_large=”xl_mobile”][vc_column][vc_column_text]

 

We’ve all got baggage – emotional baggage, that is. And multimedia artist Baron Von Fancy offers a snazzy tote in which to store it.“How Instagram Launched Artist Baron Von Fancy’s Career” by Wael Davis for Style Caster.

Right: “Emotional Baggage” by Baron Von Fancy for Juicy Couture. Milk Studios, 2014. Spring Collection[/vc_column_text][/vc_column][/vc_row][vc_row bg_type=”bg_color” ult_hide_row=”ult_hide_row_value” ult_hide_row_large_screen=”large_screen” ult_hide_row_desktop=”desktop” ult_hide_row_tablet=”tablet”][vc_column][vc_column_text]

 

We’ve all got baggage – emotional baggage, that is. And multimedia artist Baron Von Fancy offers a snazzy tote in which to store it.“How Instagram Launched Artist Baron Von Fancy’s Career” by Wael Davis for Style Caster.

Right: “Emotional Baggage” by Baron Von Fancy for Juicy Couture. Milk Studios, 2014. Spring Collection[/vc_column_text][/vc_column][/vc_row][vc_row bg_type=”bg_color” ult_hide_row=”ult_hide_row_value” ult_hide_row_tablet_small=”xs_tablet” ult_hide_row_mobile=”mobile” ult_hide_row_mobile_large=”xl_mobile”][vc_column][vc_column_text]
Jenny Holzer’s vision extends to prophylactics:

Right: Jenny Holzer’s Condom Packaging from the series “Truism: Men Don’t Protect You Anymore” 1983[/vc_column_text][/vc_column][/vc_row][vc_row bg_type=”bg_color” ult_hide_row=”ult_hide_row_value” ult_hide_row_large_screen=”large_screen” ult_hide_row_desktop=”desktop” ult_hide_row_tablet=”tablet”][vc_column][vc_column_text]

Jenny Holzer’s vision extends to prophylactics:

Jenny Holzer’s Condom Packaging from the series “Truism: Men Don’t Protect You Anymore” 1983

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

The resonance of poetry in site-specific spaces:

Robert Montgomery “I close my eyes” Billboard Poems, Location Undisclosed

[/vc_column_text][vc_video link=”https://www.youtube.com/watch?v=6toOuIOGtAQ” el_width=”80″ align=”center”][vc_column_text]

Great Fosters Fire Poem, 2013 Photograph Inkjet on Archival Paper 35.25 x 129.5 in.

 

Instructional:

Illustrator Julie Houts provides step-by-step instructions for a ubiquitous art:

Julie Houts Print

 

Ruminating on victims of war:

 

“Softer: Jenny Holzer at Blenheim Palace” September 27, 2107 to December 31, 2018, Blenheim Palace, England

As one of America’s most loved living artists since the 1980s, Holzer’s practice circled around language in order to question systems of power and authority in society. Since 2010, Holzer’s work has been focused particularly on modern conflict. On her first visit to Blenheim Palace, she became fascinated by the palace’s own military history; not only as the birthplace of Sir Winston Churchill, but also originally built as a reward to John Churchill, 1st Duke of Marlborough, for military triumphs in the 1704 Battle of Blenheim. Holzer used this legacy as a starting point to look at the timeless and universal theme of conflict, across time and countries.

Using technology, stonework, light projections, a virtual reality mobile app developed by Holition, and her celebrated LED light installations, Holzer engaged with the historical precedents that have cemented Blenheim Palace’s enduring legacy, and offered descriptions of life during wartime, recounting real experiences of soldiers and civilians. (from Jenny Holzer/Blenheim Art Foundation 2018)

One of several Projections from “Softer: Jenny Holzer at Blenheim Palace”. September 27, 2107 to December 31, 2018, Blenheim Palace, Oxfordshire, England

[/vc_column_text][vc_video link=”https://www.youtube.com/watch?v=pKIQNbuIqpE” el_width=”80″ align=”center”][vc_column_text]

One of several Projections from “Softer: Jenny Holzer at Blenheim Palace”. September 27, 2107 to December 31, 2018, Blenheim Palace, Oxfordshire, England

[/vc_column_text][vc_column_text]

 Sarcasm:

 Jenny Holzer advocates for the wide-spread use of fire-arms:

Inflammatory Essays (10) (1979-82), Jenny Holzer 10 Offset lithograph on colored paper. Published by the artist; printed by Millner Bros., New York One sheet signed in black ink lower right. Each sheet: 17” x 17”

[/vc_column_text][vc_column_text]

The voice of the marginalized:

Glenn Ligon on being an African-American:

 Glenn Ligon, No Room (Gold) # 18 Oil and acrylic on canvas 2007 32 x 32 in. Luhring Augustine Gallery, New York
Glenn Ligon, No Room (Gold) # 18 Oil and acrylic on canvas 2007 32 x 32 in. Luhring Augustine Gallery, New York

[/vc_column_text][vc_column_text]

The Guerrilla Girls deploy tongue-in-cheek:

The Guerrilla Girls Screen Print on Paper/Part of The Guerrilla Girls Talk Back 1989 Image: 430 x 560 mm
The Guerrilla Girls Screen Print on Paper/Part of The Guerrilla Girls Talk Back 1989 Image: 430 x 560 mm

 

Above is an early poster from the Guerrilla Girls. It exemplified the use of humor to defuse and break down discrimination in the art world. (The Art Story: Modern Art Insight “Important Art and Artists of Feminist Art”).

The Guerrilla Girls were an anonymous collective of artist-activists who promoted gender and racial equality. To maintain their anonymity, group members wore gorilla masks in public and adopted the names of historic women artists, such as Käthe Kollwitz and Frida Kahlo, as pseudonyms. Their posters first appeared in 1985, pasted onto structures in lower Manhattan.

Combining bold advertising-style graphics with eye-opening facts and figures, the posters detailed discrimination by the city’s art galleries and museums against women artists and artists of color. (fromGuerrilla Girls: Active since 1985” National Museum of Women in the Arts).

Acting as barometers of culture, these thought leaders use their craft in various mediums to provide not only a new aesthetic but titillate the public. In some instances, they not only reflect culture but defy it. In choosing site-specific spaces or selecting accessories on which to advertise their work, artists permeate their surroundings. These artists continue to break new ground and provide tremendously thrilling verse in personal and thought provoking ways.[/vc_column_text][/vc_column][/vc_row]

Uncommon Alchemy

SLIDE 1: “momentum’s nursery…” handcut vintage paper collage (2020) 10” X 6 3/4” SLIDE 2: “an eruptive dismay…” handcut vintage paper collage (2020) 5″ x

Justin Barrie Kelly, Gold Medal for Excellence, found object, assemblag, contemporary art, Welsh artist, sculpture, Low relief, Wall hanging, Sculptural relief, Collage

Wickedly Welsh

“Gold Medal for Excellence” . Image courtesy of the artist. Wickedly Welsh In the Studio with Artist Justin Barrie Kelly @justin_barrie_kelly   Fascination for geometry

error: Content is protected !!