Smooth Criminal: The Mad Deep Lit Report

Peter Saul’s “The Government of California” 1969. Oil on canvas, 68 × 96 in (172.7 × 243.8 cm) Collection KAWS at The New Museum, New York Smooth Criminal: The Mad Deep Lit Report “I’m smooth, but not a criminal” – Michael Jackson Prior to New York City museums and galleries temporarily closing down, this writer was […]

DANGER: Curves Ahead: The Mad Deep Lit Report

Danger: Curves Ahead: The Mad Deep lit report “Reading” (1986) 36.5 x 42.5 in. Archival pigment print / Edition of 15 Avant Gallery presents: “Guy Le Baube: Behind the Scenes” Extended through September 15th, 2019 https://avantgallery.com/ Possessing more S-curves than the Stelvio pass, the nudes inhabiting the world of French photographer Guy le Baube are […]

Decadent, Debauch and Devil-May-Care? The Mad Deep Lit Report

[vc_row full_width=”stretch_row” bg_type=”bg_color” bg_color_value=”#efefef”][vc_column][vc_column_text] Decadent, Debauch and Devil-May-Care? The Mad Deep Lit Report [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_single_image image=”2404″ img_size=”full” alignment=”center”][vc_column_text] George Grosz’ “The Eclipse of the Sun”,  (1926) Oil on canvas 81 ⅝ x 71 ⅞ in. The Heckscher Museum of Art, NY [/vc_column_text][/vc_column][/vc_row][vc_row bg_type=”bg_color” ult_hide_row=”ult_hide_row_value” ult_hide_row_tablet_small=”xs_tablet” ult_hide_row_mobile=”mobile” ult_hide_row_mobile_large=”xl_mobile”][vc_column][vc_column_text] The Neue Galerie presents: “Eclipse of the Sun: Art of the Weimar […]

Surreal, Serene and Sauvage: The Mad Deep Lit Report

[vc_row full_width=”stretch_row” bg_type=”bg_color” bg_color_value=”#efefef”][vc_column][vc_column_text] Surreal, Serene and Sauvage: The Mad Deep Lit Report [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_single_image image=”2274″ img_size=”full” alignment=”center”][vc_column_text] Remedios Varo’s “Exploracion de las Fuentes del Rio Orinoco” (Exploration of the Sources of the Orinoco River)” (1959) Oil on canvas 44.5 x 40 cm on view at Di Donna Gallery’s “Surrealism in Mexico” . [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]From Do Ho […]

Where do we come from? What are we? Where are we going?

Top panel: Charles White”Five Great American Negroes” (1939) Oil on canvas The Museum of Modern Art, New York, NY./ Leonor Fini’s “La Peinture et l”Architecture (1938-39) Oil on panel/ Lower left​: Robert Gober *Untitled” (2000-2001) Willow, wood, beeswax, human hair, silver plated cast brass and pigment/ C​ enter:​ Charles White “Headlines” (1944) Ink, gouache, and newspaper on board ​Lower Right:​ Louise Bourgeois “Nature Study” (1984) Bronze, silver nitrate patina and steel. All from David Zwirner’s “Endless Enigma: Eight Centuries of Fantastic Art”, New York, NY.

[vc_row][vc_column][vc_single_image image=”1563″ img_size=”large” alignment=”center”][vc_column_text]Top panel: Charles White ”Five Great American Negroes” (1939) Oil on canvas The Museum of Modern Art, New York, NY./ Leonor Fini’s “La Peinture et l”Architecture (1938-39) Oil on panel/ Lower left​: Robert Gober *Untitled” (2000-2001) Willow, wood, beeswax, human hair, silver plated cast brass and pigment/ C​enter:​ Charles White “Headlines” (1944) […]